If R.L. Stine will truly be remembered for anything in his career, chances are it will most likely be Goosebumps first. The 1992 kids horror series turned him from known author to part of the 90s pop culture zeitgeist. But before the days of evil dummies and monster blood was his earlier days in the world of horror. Stine's first notable work in horror came through Scholastic's Point series of horror-themed books aimed towards the young adult market. Stine was among several names who authored works for the line. In 1989, Stine took his burgeoning notoriety in the genre and began his first book series. That being Fear Street.
Fear Street began in 1989 and continued on its initial run until 1999, briefly resurfacing in 2005 and returning once again in 2014 with a newer series. The books are all set within the fictional town of Shadyside and focuses on the people who live on Fear Street, a street notorious for supernatural events and lots and lots of death. I mean, it's not just a unique name for a street. But we'll learn more about that in time. I've dabbled in the Ghosts of Fear Street series for this blog, but that was kids stuff. This is our foray out of the playpen and into the young adult section. We're truly moving up in the world of thirty year old novels.
While there's no numbering for the books like Goosebumps, I likely won't stick to the release schedule for these. If one interests me enough, I'll cover it. But in the case of this debut, we'll cover what is definitely the first book in the series. And what better way to enter the new world than to talk about The New Girl.
Cory finds Lisa down the stairwell on the ground. Her ankle badly hurt. She tells him that she was pushed down the stairs. She mentions that she couldn't tell who, only that it was some guy. Cory immediately realizes "oh crap. It's probably Brad, and he's still in the school." The two look for Brad, despite Cory being overpowered before and Lisa clearly having a broken ankle. They think they hear Brad in another room, but it's just two teens making out. They head into the music room, then get caught by Brad who... runs away. You know for this big threat he's barely done anything. He does lock the door on them, trapping them inside. Cory sees his way out of this second story floor by exiting the window to the nearest tree. Just in case you forgot at any point that he's a gymnast. He falls, but makes it into the woodshop below. He gets Lisa free from the music room and takes her home. He then drives back to Fear Street.
Returning to the Corwin house, Cory knocks the door, but gets no answer. He does get the man and the dog again though. The next day he runs into Anna and this time he wants answers. Particularly about Brad. Anna tells him that Brad's girlfriend Emily was killed in a plane crash. This devastated Brad, turning him cold and violent. Also, they had another sister named Willa. And due to his confused state, Brad often screwed up their names, thinking Willa is Anna and Anna is Willa. It was Willa who fell down the stairs. Brad was home and claimed it was an accident, but neither Anna nor their mother believe him. They believed he was the one who murdered her. And in his broken state, he thinks Anna was the one who died. The family moved to Shadyside, hoping it would fix things, but Brad was still unhinged, still thinking Anna was dead. With their mother out of the house for a bit, Anna now fears that Brad will finish the job.
Cory returns to the Corwin house and hears Anna being assaulted by Brad. He arrives in time and wrestles with Brad, eventually getting the advantage by smashing a vase over his head. Anna seems relieved, but then takes him up to her room. She grabs a letter opener and tells Cory to finish the job, to kill Brad. When he refuses, she begins to attack him with the knife. She lunges at him, sending him flying through her window. Cory manages to grab the windowsill in time and returns to the room. He manages to subdue Anna when Brad enters the room.
Brad tells Cory that he was trying to warn him to stay away from her. When he said that Anna was dead, it's because she really was. The girl in the room is Willa. Willa was always jealous of Anna, so she pushed her down the steps and tried to assume her identity. He learned of what Willa was trying to do so he tried to stop her, while trying to keep Cory away. Cory then asks about pushing Lisa down the stairs, but he says that he thought it was Willa and that was an accident. They call the police to put Willa away. And the book ends with Cory and Lisa, now a couple, happy to be past this whole ordeal.
The New Girl is okay for a first book. Its strengths is that it flows well for a 168 page story and does feel like it delivers on suspense and some horror. What I think works is the story's ultimate twist. That we go into this story thinking that Anna is a ghost. That the book's concept is a supernatural being, only for it to be more sinister with a girl who not only killed her sister but tried to steal her identity. I do wish the book didn't open with that prologue, since it really killed that big twist. I mean, we realize that whoever shoved Anna was obsessed with her looks and popularity and it wouldn't make sense for it to be Brad. Definitely a case where Stine could have cut that and it wouldn't have hurt the book at all.
I'm not the biggest fan of our protagonist Cory, if only for the fact that his obsession with Anna just feels creepy. Almost stalker like. Granted, he's not the villain of this story, but it leaves me just feeling like he's just as bad as Willa, or even the perception of Brad that we get in the story. Or even worse. Obsessed to a sexual manner, and in many ways feeling like he's trying to be her white knight. That he has to be the one who saves her when no one else can. I get it. It's a late eighties teen horror novel, but it hasn't aged that well to me. And I have a feeling I'm going to have to get used to that as I delve deeper into Fear Street. But given that I'm dealing with a story that looks at mental health in a poor light, maybe I gotta get used to a lot of what's to come, huh?
I also feel like the dog and the man seem oddly added. Like I thought maybe they'd be the father that left the Corwin family, but we never get anything from him other than exposition about "aren't those Corwins weird?" And while Fear Street is a neat concept, I don't think it's as well used as I'd expect, save for giving us small little info on how weird it is, and setting up the story of its origins and Simon Fear. Stuff to at least keep the readers interested as we go further. Pepper in what you can and keep em hooked. Reader beware indeed.
In the end, I leave feeling positive. Definitely interested in seeing what I have coming to me in the future with Fear Street. But for our first foray, it's not perfect, but for a "pilot" it'll do. The New Girl gets a B+.
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